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In addition, scholars have examined the broad thematic concerns that characterize much of the literary output of nineteenth-century women writers, many arguing that it was in the nineteenth century that gender-consciousness and feminist attitudes first came to the forefront of the literary imagination, changing forever how the works of female authors would be written and regarded.
The number of published women authors was greater in the nineteenth century than in any preceding century. The growth of market economies, cities, and life expectancies changed how women in Europe and the United States were expected to conform to new societal pressures, and made many women more conscious of their imposed social, legal, and political inequality.
Finally, the many social reform movements led by nineteenth-century women, such as religious revivalism, abolitionism, temperance, and suffrage, gave women writers a context, an audience, and a forum in which they could express their views.
While most scholars agree that many women writers expressly or tacitly accepted the separate sphere of domesticity that the age assumed of them, they also argue that as the century progressed, an increasing number of women began to express, in their writing, their dissatisfaction with gender relations and the plight of women in general.
The emotionalism of poetry, particularly poetry in which depth of feeling and sentiment, morality, and intuition were expressed and celebrated, was considered a "feminine genre," suitable for women writers. Some modern critics have continued to disregard the contributions of nineteenth-century women authors, while others have noted that by the end of the century, women novelists were more prevalent, and often more popular, than male novelists.
Others have focused on representations of women in literature written both by men and women to illuminate the full spectrum of expectations of and perspectives on women and their perceived roles in society.
Commentators have also compared the thematic concerns of women writers in England, France, and the United States, recognizing in these three cultures intersecting movements toward creative and feminist literary expression.
In recent decades, critics have examined the contributions of African American and Native American women authors, as well as the influence of the nineteenth-century periodical press, analyzing the increasing radicalism of journals and essays edited and written by feminist pioneers such as Frances Power Cobbe and Sarah Josepha Hale.
Toward the end of the century, nineteenth-century women writers expanded their subject matter, moving beyond highlighting the lives and hardships suffered by women locked in domestic prisons.
Instead, they increasingly expressed their individualism and demanded more equal partner-ships—in marriage, public life, law, and politics—with men.Masters of Disguise and Language. Evaluates the influence of Homer on Shakespeare centralizing on the use of physical, verbal, and emotional disguises in the characters to impel forward the plot line of the story and enhance themes.
Compression – Сustom Literature essay; Home» Famous Poets and Poems» The Role of Masquerade in Shakespeare’s plays The Role of Masquerade in Shakespeare’s plays.
The play also addresses deceit by disguise, as Edgar and Kent both use masquerade to fool their father. Another interesting use of the masquerade device .
The use of disguise then passed on to the fictitious world of great literary Elizabethan era – with great flavor. In almost all the works of fiction, be it poetry, play, prose or a novel, writers made use of characters in one context or the other disguised themselves in a pursuit of their goals.
Modern critical analysis of nineteenth-century women's literature seeks, in part, to understand the underlying reasons that women authors, especially in America, Britain, and France, were able to. As literature reproduce what it observes in the society so historical incidents of a particular period plays an important role in the formation of a piece of literature.
Same is the case with British literature and history and both complement each other. Explore the Use of Disguise and Deception in Twelfth Night. Explore the use of Disguise and Deception in Twelfth Night Many characters within Twelfth Night create disguises for themselves, beginning with Viola, who disguises herself as a male in order to make everyone in Illyria believe that she is in fact a man.
By deciding to dress Viola in male .